Real, and alive - bad notes left in (listen to the solo in "Makin' It" for some truly AWFUL warped notes!). Song "Walkin' The Dog" (which Stones had covered on their debut, as well), Similar vein, including radio standard "Mama Kin" and great cover of old blues Rocker "Make It," happy fuzz rocker "Somebody," classic anthem "Dream On" and blistering urban epic "One Way Street" Young long-haired potheads from Boston record album.įantastic gritty street sound of filthy dirt-encrusted distorted guitars wins heart of Prindle. Interested? Well, walk this way!!! Oh, the wacky woolly wit!
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Little more than popular purveyors of puerile pubescent pablum. Guitarists came back, eventually they all went through drug rehabilitation, and now they're But then, due to drugs, egos,Īnd whatnot, both of the guitarists quit, the singer replaced them, then the Their first six albums were good - ALL of them. In their heyday, they spat up some of the catchiest grit rock stompers you'llĮver condescend to lend an ear to. They were never the most ambitious band, but, Mean that in a 90's "smelly" way, although they have certainly been one of the Zeppelin, but distinctly American, somehow. Guitar-driven hard rock band - kinda like a cross between the Stones and Repulsively banal pop ballad groups in existence. Jaded youngsters to believe, but Aerosmith haven't always been one of the most Paragraph! Aerosmith Get Your Wings Toys In The Attic Rocks Draw The Line Live! Bootleg Night In The Ruts Greatest Hits Rock In A Hard Place Classics Live Pandora's Box Done With Mirrors Permanent Vacation Classics Live! II Pump Get A Grip Nine Lives I Don't Want To Miss A Thing CD-single Chain Reaction A Little South Of Sanity Just Push Play Honkin' On Bobo Rockin' The Joint: Live At The Hard Rock Hotel Las Vegas I know this may be difficult for you The rest of the record contains the seeds of Aerosmith's sleazoid blues-rock, but they wouldn't quite perfect that sound until the next time around.A fantastic '70s hard rock band (with emphasis on There was nothing quite like it in 1973, and it remains the blueprint for all power ballads since. But the early masterpiece is, of course, "Dream On," the first full-fledged power ballad. They are truly an American band, sounding as though they were the best bar band in your local town, cranking out nasty hard-edged rock, best heard on "Mama Kin," the best rocker here, one that's so greasy it nearly slips through their fingers. They are never as British as Zeppelin - they lack the delicate folky preciousness, they lack the obsession with blues authenticity, they lack the larger-than-life persona of so many Brit bands. They borrow liberally from Led Zeppelin's hybridization of Chess and Sun riffs without ever sounding much like Zep.
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Instead, Aerosmith is bloozy - their riffs don't swing, they slide. Here, the Stones influences are readily apparent, from the Jagger-esque phrasing of Steven Tyler to the group's high-octane boogie, but the group displays little of the Stones' deep love of blues here. Despite all this, Aerosmith clearly showcases all the attributes of the band that would become the defining American hard rock band of the '70s. In retrospect, it's a bit shocking how fully formed the signature Aerosmith sound was on their self-titled 1973 debut - which may not be the same thing as best-executed, because this album still sounds like a first album, complete with the typical stumbles and haziness that comes with a debut.